A shared place to shape story.
Finish in Premiere.

A shared place
to shape story.
Finish in Premiere.

Proof lets the whole team craft the story together in text.
Send changes back to Adobe Premiere Pro for finishing.

Less back and forth. More time making the work great.

Proof lets the whole team
craft the story together in text.

Send changes back to
Adobe Premiere Pro for finishing.

Less back and forth.
More time making the work great.

Start your 14-day team trial

Sign in

No credit card required · Includes 5 seats

Cut and rearrange sections of the transcript, watch the result, and work through feedback together.

When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres.
When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres.
When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres.
When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres.
Built forAdobe Premiere
Pr
ResolveComing Soon
AvidComing Soon
When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres.
When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres.
When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres.
When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres. When the artist loses control over their work, the pulse of our machines is served rather than the beat of our hearts. Tools are simply tools, and the best tools empower the technician and the artist equally. We are a connective cord between the hemispheres.
Built forAdobe Premiere
Pr
ResolveComing Soon
AvidComing Soon

Keep your process.
Upgrade the revision cycle.

Start in Premiere, shape the story together in Proof, then return to Premiere for the finishing work.

Keep your process.
Upgrade the
revision cycle.

Start in Premiere, shape the story together in Proof, then return to Premiere for the finishing work.

Your cuts and rearrangements get synced to Premiere with all cuts, rearrangements, and comments. All clip-level effects, color correction, and automation are preserved, while your original sequence stays untouched.

Proof brings everyone into the story.

Shape the story in text. See it become video.

Shape the story in text. See it become video.

Edit, rearrange, and refine your story directly in the transcript. No editing software to learn. No need to rebuild the edit from scratch.

Edit, rearrange, and refine your story directly in the transcript. No editing software to learn. No need to rebuild the edit from scratch.

Edit the story like a document

Cut, move, and rearrange sections as easily as editing a document.

Cut, move, and rearrange sections as easily as editing a document.

Navigate long-form content faster

Navigate long-form
content faster

Auto-generated chapters help you find the moments that matter and understand the shape of the story.

Auto-generated chapters help you find the moments that matter and understand the shape of the story.

Try the story before you commit to the timeline

Experiment with cold opens, pacing, dialogue, and structure before asking an editor to solve it in Premiere.

Experiment with cold opens, pacing, dialogue, and structure before asking an editor to solve it in Premiere.

Work together in real time

Bring the right people into the process so creatives, producers, editors, and clients can shape the story together.

Bring the right people into the process so creatives, producers, editors, and clients can shape the story together.

A faster, more human
revision cycle

A faster,
more human
revision cycle

A faster, more human
revision cycle

Pr
Assembled in Premiere
01Assistant Editor
“Assembled the multicam it's ready to review on Proof”
Uploaded to Proof
02Creatives & Teams
“We worked with client to find the heart of the story, ready for your magic touch”
Uh, are we ready to get started?
Pr
Synced to Premiere for polish
03Lead Editor
“The story totally works now — new cut is up on Proof”
New cut uploaded to Proof
04Client
“Love it. I just made one more cut, then we're approved ❤️”
APPROVED
Pr
Final sync — picture lock

Everybody wins

See how Proof creates value for everyone involved in the edit.

See how Proof creates value for everyone involved in the edit.

See how Proof creates value for everyone involved in the edit.

If you're a...
Story Producer
Story Producer

Find the story together.

Test structure, pacing, and flow with the people closest to the material. Bring a clearer direction into the edit, with fewer rounds of back and forth.

A STRONGER STORY, EARLIER

Where Proof stands out

Where Proof stands out

Frame.io

Descript

Proof

Text-based story editing

Frame.io

✕

No

Descript

✓

Yes

Proof

✓

Yes

Collaborative
editing

Frame.io

—

Comments only

Descript

✓

Yes

Proof

✓

Yes

Timestamped
comments

Frame.io

✓

Yes

Descript

✓

Yes

Proof

✓

Yes

Edit without uploading all raw footage

Frame.io

—

Review only

Descript

✓

Imported files

Proof

✓

Sequence export

Non-destructive
Premiere workflow

Non-destructive
Premiere
workflow

Frame.io

—

Review only

Descript

✕

No*

Proof

✓

Yes

Multicam timeline support

Frame.io

—

Review only

Descript

~

Limited*

Proof

✓

Yes

Frame.io provides review and comments, not timeline editing. Descript can edit imported files without your entire raw-footage library.

* Descript can import raw footage and export a cut to Premiere via XML. That handoff is not a continuing, non-destructive sync loop: subsequent versions do not update your existing Premiere timeline while preserving finishing work. XML exports also have effects, keyframe, transition, and multicam limitations.

Proof works from an exported Premiere sequence, including multicam timelines, without re-ingesting your original media. Clip-level effects, color correction, and automation are preserved.

Frame.io: Premiere integration

Descript: timeline export compatibility

Frame.io

Descript

Proof

Text-based story editing

Frame.io

✕

No

Descript

✓

Yes

Proof

✓

Yes

Collaborative
editing

Frame.io

—

Comments only

Descript

✓

Yes

Proof

✓

Yes

Timestamped
comments

Frame.io

✓

Yes

Descript

✓

Yes

Proof

✓

Yes

Edit without uploading all raw footage

Frame.io

—

Review only

Descript

✓

Imported files

Proof

✓

Sequence export

Non-destructive
Premiere workflow

Frame.io

—

Review only

Descript

✕

No*

Proof

✓

Yes

Multicam timeline support

Frame.io

—

Review only

Descript

~

Limited*

Proof

✓

Yes

Frame.io provides review and comments, not timeline editing. Descript can edit imported files without your entire raw-footage library.

* Descript can import raw footage and export a cut to Premiere via XML. That handoff is not a continuing, non-destructive sync loop: subsequent versions do not update your existing Premiere timeline while preserving finishing work. XML exports also have effects, keyframe, transition, and multicam limitations.

Proof works from an exported Premiere sequence, including multicam timelines, without re-ingesting your original media. Clip-level effects, color correction, and automation are preserved.

Frame.io: Premiere integration

Descript: timeline export compatibility

“Removes the barrier to collaboration for editors and directors”
Peter Nelson
Peter NelsonScience education channel
Veritasium
“Nailed the chapter markers in a more detailed way than I anticipated. Loving the ability to see original runtime vs. what I've got it down to.”
Ike Flitcraft
Ike FlitcraftComedy entertainment channel
:DROPOUT
“I feel like I have so much control over the early stages of an edit. All I had to do was pick the best takes — the editor just put it all in, and it was done in like 20 minutes.”
Maddie Mindling-Bayer
Maddie Mindling-BayerCommercial Production Agency
Studio
“I use it to cut out a lot of cross-talk and off-topic chatter to help save our editor's time”
Elizabeth RieserCommercial Production Agency
Studio
“I've been having a great time with Proof. I can't resist. I'm like, well, I'm there. Why not? It's so easy.”
Anonymous Netflix EmployeeStreaming entertainment
“It's been awesome — and time-saving. Being able to just make changes without having to write everything out is amazing.”
CarlyCommercial Production Agency
Studio
“I'm able to send out edit 2 or 3 instead of the typical edit 5 or 6.”
KareemCommercial Production Agency
Studio
“Removes the barrier to collaboration for editors and directors”
Peter Nelson
Peter NelsonScience education channel
Veritasium
“Nailed the chapter markers in a more detailed way than I anticipated. Loving the ability to see original runtime vs. what I've got it down to.”
Ike Flitcraft
Ike FlitcraftComedy entertainment channel
:DROPOUT
“I feel like I have so much control over the early stages of an edit. All I had to do was pick the best takes — the editor just put it all in, and it was done in like 20 minutes.”
Maddie Mindling-Bayer
Maddie Mindling-BayerCommercial Production Agency
Studio
“I use it to cut out a lot of cross-talk and off-topic chatter to help save our editor's time”
Elizabeth RieserCommercial Production Agency
Studio
“I've been having a great time with Proof. I can't resist. I'm like, well, I'm there. Why not? It's so easy.”
Anonymous Netflix EmployeeStreaming entertainment
“It's been awesome — and time-saving. Being able to just make changes without having to write everything out is amazing.”
CarlyCommercial Production Agency
Studio
“I'm able to send out edit 2 or 3 instead of the typical edit 5 or 6.”
KareemCommercial Production Agency
Studio
“Removes the barrier to collaboration for editors and directors”
Peter Nelson
Peter NelsonScience education channel
Veritasium
“Nailed the chapter markers in a more detailed way than I anticipated. Loving the ability to see original runtime vs. what I've got it down to.”
Ike Flitcraft
Ike FlitcraftComedy entertainment channel
:DROPOUT
“I feel like I have so much control over the early stages of an edit. All I had to do was pick the best takes — the editor just put it all in, and it was done in like 20 minutes.”
Maddie Mindling-Bayer
Maddie Mindling-BayerCommercial Production Agency
Studio
“I use it to cut out a lot of cross-talk and off-topic chatter to help save our editor's time”
Elizabeth RieserCommercial Production Agency
Studio
“I've been having a great time with Proof. I can't resist. I'm like, well, I'm there. Why not? It's so easy.”
Anonymous Netflix EmployeeStreaming entertainment
“It's been awesome — and time-saving. Being able to just make changes without having to write everything out is amazing.”
CarlyCommercial Production Agency
Studio
“I'm able to send out edit 2 or 3 instead of the typical edit 5 or 6.”
KareemCommercial Production Agency
Studio
01 / 07

Frequently asked
questions

What is Proof?+

A transcript-first editor for video teams. Everyone shapes the story by editing the transcript — cut, rearrange, comment — and the result syncs into Adobe Premiere Pro.

Can it replace Frame.io?+

Yes. Proof covers review and approval, timestamped comments included — and goes further: feedback lands as real timeline edits, not notes for someone to interpret.

Can clients edit the story?+

Yes. Give clients editing access or share an edit link so they can help shape the cut. Clients who only need to review can view and comment for free.

Do changes sync to Premiere automatically?+

No. Your team decides when the cut is ready, and your editor runs the sync back to Premiere.

Is it an all-in-one editing tool?+

No. Proof assumes you have a Premiere timeline for assembling raw footage. It owns the review-and-revision cycle, then hands the timeline back to your editor.

Is the Premiere round-trip non-destructive?+

Yes. Proof creates a new, editable Premiere sequence without re-ingesting your media. All clip-level effects, color correction, and automation are preserved*, and your original sequence stays untouched.

* Audio track-level automation remains the same before and after, so may need to be retimed to match new timing

Does everyone on my team need Adobe Premiere Pro?+

No. Your editor uses Premiere to prepare the cut and bring revisions back for finishing. Clients, producers, and other collaborators can work in Proof through their browser without needing Premiere themselves.

Do I have to upload all of my raw footage?+

No. Proof works from a video export of your Premiere sequence. Upload the cut you want your team to work on—not your entire raw-footage library.

What happens when my trial ends?+

If you don’t upgrade after 14 days, your workspace automatically moves to Free. You can keep accessing and editing your existing projects within the Free plan’s limits.

How much does Proof cost?+

Proof offers a Free plan and a 14-day team trial with no credit card required. See pricing for paid plans, included seats, and usage limits.

See pricing

Move every video forward with Proof.

Move every video forward with Proof.

Move every video forward with Proof.

Less back and forth. More time making the work great.

Start your 14-day team trial

Start your 14-day team trial

No credit card required · Includes 5 seats

Follow Proof

Company

Pricing

Contact us

Terms & Conditions

Privacy Policy

© 2026 Proof.CC All rights reserved.

Follow Proof

Company

Pricing

Contact us

Terms & Conditions

Privacy Policy

© 2026 Proof.CC All rights reserved.

Follow Proof

Company

Pricing

Contact us

Terms & Conditions

Privacy Policy

© 2026 Proof.CC All rights reserved.